![]() ![]() I wonder whether he meant to write it with such ancient markings (in keeping with its origins) or whether he wrote like that anyway? The whole piece seems to be written in some sort of quasi medievil standard. ![]() I have been lucky enough to borrow the bass and tenor 'score' (Vocal, circa 1936) from a friend and it is quite unique! The time signatures are marked above the stave (as opposed to within the stave) and there seems to be a plethora of 'scizura' (Cut) marks throughout the piece (//). You are right the piano score looks a bit of a handful! The bass line can be played with the left, but then both hands are needed to play the chordal work on the top (not impossible but you would have to be quite agile to race from left to right in such a short time). I did have a look at the score and it did seem to be a single piano copy.
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